Joe dimaggio biography book

Chapter 1

Joe DiMaggio sat on the tar of the playground, with his back against the wall on the Powell Street side, his legs cocked in front of him like a couple of pickets. At fifteen, Joe was mostly legs -- leg-bones, more like it -- and a head taller than his friends. It was Niggy Fo who gave him his nickname, Coscilunghi -- that meant "Long-legs" in Sicilian.

All the boys on the North Beach playground had names -- that meant you were in, you belonged there. There was Shabby Minafo and his brother, Bat (he only wanted to bat), and Hungry Geraldi (he could really eat); Friggles Tomei had those fancy feet at second base; Lodigiani they called Dempsey, because he once decked a guy in a fight; and Niggy, of course, got his name for his dark skin. They were always on the playground or on the street. Who had room at home? On this spring afternoon, in 1930, they were playing Piggy on a Bounce -- one guy with a bat, everyone else in the field, and one guy would hit till someone caught the ball, or caught it on one bounce, and then the batter had to take the field.

Joe was at the playground most days, like today -- not exactly with them. He'd come out of his house, down the hill from Taylor Street -- but he'd sit apart, watching in silence, arms draped across his knees in a pose of solitary sufficiency. Or maybe it wasn't all pose. Joe was different from the other guys. They always wanted to play ball. They were desperate to play ball -- even if they could barely play. Joe could play. But you had to get him to play.

Bat Minafo and Frank Venezia always picked the teams. They were little guys, but pretty good players. They'd flip a coin, and whoever won would pick Joe. Guys would actually say, "Oh, you got Joe, you're gonna win." It wasn't just the way Joe could hit. (Even those mushy city-issue softballs, Joe could hammer them the length of the playground, a block and a half, into the swimming pool.) more than that, it was the way he was in a game. He had to win. That was the reason he'd play -- he wanted to win something. Sometimes, Bat and Frank would make everybody throw in a nickel or a dime, and they'd play winner-take-all. Then Joe would play, for sure. But playing just to , mostly he'd sit.

In the long fingers of his right hand, he'd dangle a smoke in front of his shins -- if no one was looking. There were rules about smoking, but not for Joe. The playground assistant was a guy named Rizzo. He only had one arm, but he played a mean game of tennis. He'd throw that ball up, whip his racket around with the same hand, and bang -- the guy could murder the ball. No one but Joe could return his serve. So Rizzo let Joe smoke -- sort of a tip of the cap. Still, Joe was furtive, so no one would mooch. If he had a pack, he'd keep it in his sock. If anybody saw it, that pack was a goner. Mostly he'd roll his own. A pouch of Bull Durham cost the same five cents, but he could roll a hundred smokes. A nickel was something to hold on to in Joe's world.

At that Powell Street playground wall, he was at the center of everything he knew. There, arrayed in front of him, chasing that city softball, laughing at each other, tearing up their shoes on the tar, were the boys who were personages in his life -- apart from his family, it was almost everybody who mattered. That day, it was Niggy Fo, Shabby, Bat; there was Nig Marino watching from the side (Niggy was a fighter, not a ballplayer); big George Solari in the outfield; Hungry, Friggles, and Banchero in the infield; Ciccio LaRocca on the mound. And the batter was Frank Venezia, who was slapping line drives all over the lot (and laughing at Ciccio, who usually got him out with five pitches) was one reason Frank would remember the day -- he never thought he was that good with the bat.

They all lived within ten tight blocks. Joe knew their little brothers, who tagged along and tried to play. He knew their sisters, who played rotation basketball at the hoop past left center field. (Well, he knew the sisters by sight: Joe never said five words in a row to anybody's sister.) He knew all their houses, and who slept where. He knew their mothers, and where they shopped. He knew what their fathers fished.

On the left, past third base, was the boys' bathroom. Joe spent a lot of time in there, playing cards. Joe was good at cards. But that was like baseball: he wasn't just playing. Joe and Niggy Marino used to box the cards -- fix the deck -- or they'd play partners, and kick each other to signal for discards: five kicks meant to throw the five, two for the deuce, etc. By the time they finished, their legs were black-and-blue. But they went home with a few extra nickels -- money from the patsies. Poor Frank Venezia! He played all the time and never caught on they were cheating him. But that was Frank. He just thought he was lousy at cards.

Past the outfield, past the basketball and tennis courts and the open swimming pool, Columbus Avenue cut the playground off at an angle. Nothing was exactly square in North Beach -- a neighborhood of odd intersections and acute hillside corners -- because Columbus sliced through the street grid diagonally, from the office buildings downtown, north and west to Fisherman's Wharf. Columbus was the hub for Italian San Francisco, and the boys' window on the ways of the world. On Columbus, at the corner of the playground, they'd catch the F-car downtown -- Stockton Street, all the way to Market. After school, kids rode two for a nickel.

A block and a half up Columbus lay the expanse of Washington Square, the gran piazza, like a carpet of green spread in front of the great Sts. Peter and Paul's Church. The Italian Cathedral of the West was at that time only five years old -- Joe had seen the whole thing built. But its massive twin spires, the solemn gleam of the grand marble altar, even the bright modern classrooms for the School of Americanization, were designed to bear witness eternally to proud Italianità and the achievement of his parents' generation. On the grass in front of the church, the men of the community gathered every afternoon for coffee (maybe a little wine) and argument -- though Joe's dad seldom made an appearance. Giuseppe DiMaggio wasn't much for talk.

Near the church on Columbus stood the other institutions of the grown-up world: there was the Valente-Marini Funeral Home (you could pass from your christening at Sts. Peter and Paul's to a coffin -- hopefully not too fast, but all within a couple of blocks). Up the street, there was the community hall, Casa Fugazi, named for Commendatóre John F. Fugazi, a banker and one of the early Italian-American prominenti. At Columbus and Stockton stood the Bank of America, whose founder, A. P. Giannini, was most prominent of all prominenti. On Columbus, too, there was the library -- but no one Joe knew went to the library. The boys were more interested in other cultural sites on Columbus, like LaRocca's Corner, where the wiseguys played cards all day over cups of LaRocca's homemade wine. (Prohibition was an approximate science in North Beach, and Vince LaRocca, Ciccio's uncle, was "well connected.") And nearby were the nightclubs, the Lido Cafe and Bimbo's 365 Club, with their showgirls -- tall gorgeous girls, who'd come from all not from North Beach. No Italian family had showgirls.

From Columbus came food for the neighborhood tables -- from Molinari's big new deli, and Caligari's bakery on Green, just off the Avenue. On Columbus at Green was the Buon Gusto Market, and off Columbus, on Powell, there was Celli's, where they made the best pasta and let you buy on credit. In Joe's crowd, there were months when everybody ate on credit -- say, before crab season began. Clothes, same way: without credit, you'd wear your big brothers' stuff forever. Every family ran a t